His inspiration stems mainly from nature. The perfect composition of nature in terms of colours and shapes is not limited on large entities but is mirrored in details. Everything is connected and strives for cohesion – an all embracing symbiosis from which humans resigned as they claimed authority and dominance over flora and fauna. By dominating nature humans took over responsibility for nature. The all-devouring striving for progress attests that the human race detracts/withdraws more and more from her responsibility for nature.  

This problematic issue constitutes the foundation of my work, that contrasts humans and technology with nature. My thesis is: nature does not need us, nature needs only nature.

He avoids implying explicit statements. He wants the observer to think critically and draw his or her own conclusions.

As the meaning of small cosmic entities changes by close observation, one finds details in his pieces that seem to be taken out of nature and that become ambivalent the closer one looks at them.

His work is focused on the vision of harmony between nature and humans – human beings that are leaded back to their origin, humans who are (like animals in a consumer society) deprived of their identity and by abstraction reduced to natural forms.

Visions of the future, science-fiction, Cyberpunk – cries for help in favour of an undemanding nature.

Stylistically he uses contemporary abstraction, absolute surrealism, and catchy arrangement of colours and shapes.